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An intense evening with Eels in Enschede

March 15th, 2008

When Mark Everett performs these days, he only needs one man besides him on stage: ‘the Chad’. Together with Edial Dekker and Peter Evers I drove 2,5 hours - which is a really long drive for Dutch standards - to see these two men playing the beautiful music of Eels in the theater of Enschede (Try to pronounce that if you don’t speak Dutch, The Chad came up with enchiladas).

My first thought was: how can only two men capture the rich sound of Eels? Yet after four songs, these doubts disappeared: I was blown away by the version of My Beloved Monster. Imagine Everett on just his white Holloway, singing the first lines, and then The Chad hitting the drums - to later switch to a guitar. Oh well, why don’t you just watch the video. (Recorded in Vicenza)

So both guys mastered all the instruments on stage - although I didn’t see Everett playing the saw - and they knew exactly how to show that off. During a raw version of the infamous Flyswatter - due to Desperate Housewives - The Chad and Everett switched piano and drums twice, without stopping the music. Impressive and exhilarating! Everett managed to get the whole theater in some sort of euphoric state (which is hard in the Eastern part of Holland, trust me) and then threw us back in his misery again by suddenly starting one of his sad songs.

Everett has experienced terrible things during his life. As a son of a severely withdrawn genius in quantum physics Hugh Everett , growing up wasn’t easy. During an one-hour BBC documentary “Parallel Worlds, Parallel Lives” which was preceding the show, Mark explored his father’s work at Princeton as well as in his family home. His sister Elizabeth, suffered from schizophrenia and committed suicide in 1996. In her suicide note she said that she was going to a parallel universe to be with her father. During the show, The Chad read two parts of Mark Everett’s autobiography Things the Grandchildren Should Know, one about Everett’s 80-year old neighbor who saw a woman-ghost walking into Everett’s house while he was at his sister’s funeral.

Eels in Birmingham
Eels in Birmingham, photo by Ella Mullins

In his songs, Everett sings about these intensely sad events, which makes it sometimes hard for me to listen to them. Although the music is incredibly beautiful, the utterly depressive lyrics are sometimes hard to take. Luckily, Everett showed last night that he didn’t lost his humor. Especially his last words were legendary: ‘The Chad, is there anything he can’t do?” - throws his arms in the air - “Me!”.

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3 Responses to “An intense evening with Eels in Enschede”

  1. This blog has moved! « 86 words culture Says:

    [...] An intense evening with Eels in Enschede [...]

  2. Guy Sie Says:

    It was indeed an absolutely awesome show. I’ve loved Eels since seeing them on TV at Pinkpop ‘96, but never got around to seeing them live. Imagine my surprise last year when I logged into upcoming.org to discover them coming to the town I live in! (you could’ve gone to Cross-linx in Utrecht though, would’ve been closer to A’dam)

    What I didn’t know (came not so well prepared) was that it was a theatrical show, with seats and a two-man setup. I’d expected a full band, playing the songs like I’ve gotten used to them on the albums. At first I was disappointed, but did a 180 when E and Chad started playing. It was beautiful. For me the high points were the impressive rendition of Flyswatter you mention and Last Stop This Town. I’ve got this mental list of ’songs I want to have heard live’ and LSTT has been on there for a while. What I really missed? Manchester Girl. I don’t think he ever plays that live anymore, but still. Would love to hear that live once.

  3. LastGraph: a smashing look on your music history Says:

    [...] to that artist or band obsessively. See Kaiser Chiefs in November, Arctic Monkeys in December, Eels in March, and The Wombats in April. The Joy Division spike is caused by the excellent movie Control [...]

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